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Making Loch Ness: The Web Series, Q & A with Christina (Donna)

One day I received an email that I had a new Kickstarter backer for The Undead Sorceress – Odin’s Song Productions. What a cool name! After thanking them I checked their profile page and it turns out they have an awesome Kickstarter campaign going on for Loch Ness: The Web Series. So I gave them a kick back of support and asked them to tell me a bit more about this project.

This web series follows the journey of Donna, Joey, Kyle and Steve; four high school metal heads who dream of making it big with their folk metal band “Loch Ness”. But first, they need to figure out where to find a lead singer and survive overbearing parents, lack of funds as well as a bass player who manages to get it wrong more than right.

Based on a true story of a now defunct folk metal band from Omaha, Nebraska, the series is told through the lens of original Loch Ness band member, Christina. If you take a look at their Kickstarter video you will see that their production and lighting quality work are extremely professional. They have a great sense of humour as well!

We are going to have a conversation with Christina Marie Leonard who is the creator/writer, and plays Donna in this head banging series.

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Hi Christina, thank you for taking the time to do this Q & A with me as I know that you must be super busy with your Kickstarter campaign!

First, can you tell me a little bit about your role in this project? How did this project start?

CML: Thank you JF! Well, I am the writer of Loch Ness: The Web Series, and I will also be playing the character Donna who is the keyboardist of the band. I got the idea to write the series in March of 2013. I had gone back home to Nebraska to visit and while I was there I hung out with my friend Carl who was in the band with me and a lot of fun memories came flooding back. I had been going through a tough time in LA, so when I returned from my trip to Nebraska I really immersed myself in writing this series and it has become very close to heart.

Your goal for the Kickstarter is $10K which actually isn’t too crazy for video production projects. What do you hope to accomplish with the funds?

CML: Our goal of $10K is something we definitely believe is achievable, but there are a lot of expenses. We need the $10K for production insurance, locations, permits, food, gas, equipment, and costumes for the actors.

What is involved in the making of a web series? Is it as glamorous as people are led to believe? In general, a lot of video production looks great because only the perfect takes are shown and the many hours for a few seconds of work are not seen!

CML: Making a web series is definitely a huge thing to take on. The writing process in itself took several months of rewrites before I had something I was really happy with. Then getting a production team together and all the planning that goes into pre-production has taken a lot of time. It is all worth it, though- we have a project we all really believe in, and working with people I love being around makes those long hours seem not so long!

How were the cast members found? Is everyone from Nebraska? Do they really know how to play their instruments?

CML: We had some table reads early on during rewrites of the script, and brought in actors who were the right ages and types for the parts. Later on when we were casting, we asked those same people to read for us again, as well as having casting calls on LA Casting and CAZT.com.

We saw a lot of really great people and we ended up casting actors both from the casting calls we put out, and the pool of actors we knew from the table read. Of those actors, just myself and Chris Muckey, who is playing Joey, are from Nebraska, although ironically Chris and I did not know one another until we moved to California!

The characters are never seen close-up playing their instruments in the series- usually they are setting up or dismantling their equipment from a show- so we did not make it mandatory that the actors auditioning know the instruments their characters play. However, several of our cast members actually do know how to play guitar and/or drums which will likely open up fun opportunities for improv in the series.

In the story line, there is mention about finding a lead singer. What is involved in this and why is it so hard to keep a band together? What should people expect from this series? Is it a comedy and drama mix?

CML: The story line about finding a lead singer comes from the struggle that the real Nebraska band “Loch Ness” had with holding onto band members. It seemed like, at least when I was in high school, all the bands in the Nebraska music scene kept switching members.

With Loch Ness, it was usually just members not being interested enough, and being busy with other high school activities and dropping out. Once, though, our guitarist cancelled right before a show. It was our first show and I insisted we went on anyway, so Billy the drummer ended up playing guitar that night, and a drummer from the band “Talos” that was playing the show with us was just fantastic and learned the drum part for our set right before going on.

In the web series, most of the vocalists either quit or get kicked out because they get romantically involved with Donna… that may or may not be based on a true story as well. You can leave that up to the imagination! Overall, you should expect a lot of laughs- this series is definitely a comedy, in the vein of “Detroit Rock City”, “Empire Records” or one of my favorites, “Todd and the Book of Pure Evil”.

What has happened to the real Loch Ness band? How long did they exist and what venues did they play in? Do you still keep in touch with them?

CML: The real Loch Ness band broke up a few years when we all graduated high school. We played for the latter half of high school, Junior and Senior year, and we played in several venues around Omaha, NE- The Rock, Club Roxbury, Jacket’s Bar, Sokol Underground, and some smaller venues as well. It was hard to juggle acting in plays and be in a band at the same time, so when I was doing a month-long run of “The Crucible”, at the Omaha Community Playhouse, we could only play on Monday nights. Fortunately, my band members were really supportive of that, and we found a place called Shea O’Rileys that had shows every Monday night that worked perfectly for us!

I’ve kept in touch with the guitarist Carl ever since the band broke up, but lost touch with Billy, Matt, and Jason- the drummer, vocalist, and bass player for awhile. Fortunately, creating this web series has brought us back together. In fact, I recently did some interviews with all of them about their experiences in the band and what they look forward to in the web series. Billy’s interview is already available as an update on our kickstarter page and more will be coming soon!

This is the first time I’ve heard of “folk metal band”. Can you explain what this is?

CML: You’re not alone in being unfamiliar with folk metal. I didn’t know much about it until Billy involved me in the band. Basically, folk metal is a branch of heavy metal that stems from Viking metal. Folk metal originated in Europe in the 1990s. The lyrics usually talk about mythology, and there is often accordion, bagpipe, or some other folk instrument incorporated (or keyboards with settings to replicate that, like we had) to add that folk element to the heavy guitars and vocals.

Will there be original songs involved with this production?

CML: There will definitely be original songs involved in Loch Ness: The Web Series! We have several songs from the Nebraska “Loch Ness” band that will be used, and we are open and excited to collaborate with any metal artists that want to have their music in the series as well!

What is the story behind Odin’s Song Productions?

CML: Odin’s Song Productions consists of myself, Mijoe Sahiouni, Max Holm, Rachel Gunnerson, and Melanie Recker. Mijoe and Max both studied at the Johnny Carson School of Theatre and Film with me at UNL in Nebraska.

Mijoe stage managed some of the shows I was in, and I directed and wrote many shows in college as well. I have always respected her directing style and professionalism and was excited to work with her in LA.

Max, a film major at UNL, directed me in his Thesis Film “Lilith”, a thriller, which was one of my favorite roles to play and a great experience. I became great friends with them both, and I knew I just had to involve them in “Loch Ness: The Web Series”. They were the first ones to jump onboard and help create Odin’s Song Productions.

Rachel is a really great writer who I met through Mijoe, and during the rewriting process of the series, she helped me a lot in making Loch Ness as funny and solid as it can be. I am so glad to have her onboard as a producer for the full run of the series.

Melanie is another Nebraskan who I did not officially meet until moving to LA. (However, we ran into each other several times at auditions in Omaha over the years thinking “hey, that girl looks familiar!”). Melanie is a great actress who is awesome at bringing people together- she has created several social media groups for that purpose, and actually was the first person to introduce me to Chris, who plays Joey. Melanie is producing several other projects as well as Loch Ness: The Web Series, and will be moving on once pre-production is over, but we are lucky to have her, as she has been an initial part in getting this thing off the ground!

Well, I’ve learned a lot from you about making a web series and I wish you and Odin’s Song Productions the best of luck on your Kickstarter! Please check out their fantastic project here and send in some support!

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Making your own virtual mixed tape to share

While reading tons of articles on how to make a successful kickstarter, I stumbled across a link for 8tracks.  Someone mentioned that this was an awesome way to share your music with the world.  8tracks is a site where you can upload your music and make a virtual mixed tape to share with the world!  Or like in the old days, you can use it to woo a beloved.  Uploading and listening is free!

Be warned, I was extremely frustrated with the uploading process and it turns out you can only upload 2 composer tracks per mix.  Also, it will reject any tracks with no identification data, such as .wma rips from a cd.  Although I listen to tons of Final Fantasy background music, because they were by the same composer, I could only share 2 songs in my mix.

Overall, it was fun to make something to share, so I put together music I listened to when I wrote The Undead Sorceress.  It’s all instrumental music because it helps me with writing.  When I listen to songs with people singing I start typing what they’re singing instead, so it’s terrible for my writing process.  The tracks are from Ashes of Time (movie), Game of Thrones (tv), Rurouni Kenshin (anime) and Final Fantasy (game).

Some of the music (Rurouni Kenshin) is a bit tense because these tracks were inspirational for writing sword fighting scenes.  I remember making a cd for someone with these tracks for her family’s restaurant thinking it sounded very Asian, but she said her customers would choke on the food because the music was so nerve wracking.

Please have a listen, click on album cover below and enjoy!

(Instructions – click link and press “play arrow”!  http://8tracks.com/jfgarrard/undead-sorceress-mix)

lp mix

 

The Undead Sorceress Mix List (31 min)

1. Ashes of Time, Yo Yo Ma, Ashes of Time Redux (movie)
2. Main Title, Ramin Djawadi, Game of Thrones (tv)
3. Liberi Fatali, Nobuo Uematsu, Finaly Fantasy VIII (game)
4. Hitenmitsurugiryu – Amakakeruryu No Hirameki, Noriyuki Asakura, Rurouni Kenshin (anime)
5. The Will, Samurai X Rurouni Kenshin movie, Taku Iwasaki (anime)
6. The Last Wolf Suite – Shishio Makoto No Kumikyoku, Noriyuki Asakura, Rurouni Kenshin (anime)
7. Blue Fields, Shinko Ogata, Final Fantasy VIII (game)
8. In Memories: A Boy Meets the Man, Samurai X Rurouni Kenshin movie, Taku Iwasaki (anime)

 

Kickstarter Fever

It’s been about 12 days since my Kickstarter started and it seems to be going well with 56% funding. However, it wasn’t the fairy tale I had dreamed of – the majority of donors are my friends and family, about 90% at this point. There hasn’t been a massive onslaught of people tripping over each other to donate to my campaign.

Kicktraq, an estimator of campaigns, seems to think I’ll go over my goal, but I don’t really believe this as I’m a cynic and there are too many unknown variables. It’s still a great page to visit as it has all my updates to my project in one place. Sort of like an organized stalker. You can see the neat chart it compiled for my project here.

I was also surprised by the amount of work required to keep this Kickstarter going. Foolishly, I had signed up for National Novel Writing month and instead of writing the next book, I find myself fretting over potential Kickstarter failure. Out of a survey of 7,196 Kickstarter projects, 56% fail.

 

Keeping the message of this campaign alive is important because your friends and family have other things on their mind and supporting your campaign is the least of their worries. So you try to keep your message alive by doing a number of things in order for new people (aka strangers) to discover your project. And also try not to be damn annoying at the same time or you’ll appear desperate! So successfully selling is really not selling…which is an art in itself!

These are the things I’ve done so far with a  links which can help others.  To be honest, I’ve lost track of more places where I posted as I have been very tired lately.  There were a few long shot things I also filled in online forms for such as CNN, Ellen show, Global TV and Oprah.  Heck, a girl can try, right?!

1. Write a PR release – the lesson I learned here is that sometimes they don’t go anywhere. I wrote to many reporters (looked up contact info at different newspapers sites ranging from Toronto Star to New York Times to Asian ones) as well with this PR release, but alas, there are many other stories more compelling than your kickstarter or your book. But at least I can say I did this and learned how to write one. My PR release can be found here.

Where to send PR releases for free: PR.com, Crowdfunding PR, PR Inside, Press Release Ping, 1-888 Press Release, Free Press Release

2. Do lots of social media – tweet by the hour. A friend said this was spamming, but he has never used twitter. Have you seen how fast the feeds go? I follow over 1000 accounts and having 1 tiny message will rarely be seen unless your followers are truly looking for your feeds. Facebook is another place I post lots of messages. How do you do all this, you ask? It’s not a secret, there is software available which you can load all your messages and schedule its release because you might be in a meeting when the message is released. Hootsuite software has been a lifesaver for me.

3. Post on pages and forums – there are lots of crowd sourcing sites and forums online which you can post your project to let people know of what you are doing. Keep in mind you are one out of a thousand projects running. I also posted on fantasy book forums which allows for kickstarter posts/advertising, otherwise they will delete your message. With some reluctance I put something on reddit but I was scared because it’s a double edged sword. People that hate someone on this site really go on an all out rampage of destruction and that scares me.

Sites & forums: Crowd Funding Forum, Google + Crowd Strategy and Information, Reddit Kickstarter forum, Google + Kickstarter Supporters and Campaigns, Google + Crowdfunding Hub, FantasyFiction forum

4. Plan a party – since mostly friends and family are my supporters, heck, let’s just party and enjoy ourselves! Any excuse to get together is great in my books!

5. Look for internet radio blog opportunities – I found out you can pay to be on an online radio blog. Timing is difficult as a Kickstarter doesn’t run that long. But I will try to get onto at least one so at least I can have a cool recording for permanent use. It is difficult to find stats on some of these internet radio sites which makes me wonder if anyone is listening. For $25 USD, I thought it was worth a try.

6. Read about successful campaigns – people who have made lots and lots of money on Kickstarter are very lucky. The people that did well did lots of work communicating with the world via all the things I’ve already mentioned and were lucky enough to get attention. It boils down to either having generous friends, online supporters or good timing with the media.

Best compilation of tips from successful campaigns and what they did: Incredibly detailed lessons learned list here, A detailed post by someone who did a book campaign

So is all this work going to pay off? I’m not sure. My mommy says she’ll help out in the end, which is embarrassing but I might let her help me if I make it to 90% and support comes to a halt! Stay tuned!

Deciding if you want to publish ebook or print?

While looking for a formatter to help me finish off The Undead Sorceress, I met a formatter who kept asking me why I wanted to do print books. He only worked on e-books and I don’t blame him, formatting print books is a nightmare as I started to read a manual on how to do it. Very complicated stuff.

He kept saying that I didn’t need to do print books. But since I go to so many conventions, I do need some print books to either sell or give away to people.

I decided to look into this a bit as I was curious and wanted to make an informed decision.

Everyone says e-books are growing, it’s going to take over the world, etc, but is it really true?

As a reader myself, I don’t like digital screens very much. I like curling up in a sofa or in bed with a paperbook as I like the texture of paper. It’s an eyeball problem for me as well, because some reason I can’t look at screens for too long. I probably have some disease that I should check myself out for, but I’m a busy person and lazy hypochondriac.

According to Price Waterhouse Cooper’s stats, worldwide revenue for books went down a bit for consumer and educational books from US$101.7bn in 2008 to US$101.6bn in 2012. Ohhh…how scary…

Depending on the subject, print book growth was flat or declining, but e-books are on the rise, accounting for 9% of books sold in 2012 and projected to take 22% of the market by 2017.

pwc books 2012

The majority of e-book readers live in North America and will account for 38% of e-book sales by 2017. In EMEA, e-books will account for 17% of sales, in Asia Pacific 15% and Latin America 6% by 2017. There’s a long report here for anyone wanting to read more.

Conclusion? Print books are not dead, but still alive at the moment. The invasion of e-books is occurring slower than I thought. Someone should make a movie with books as weapons and then the consequences of not having enough books or something about e-book tablets not being able to kill the monsters. Just a random thought…

Overall, what this means is that I would want to offer both print and e-books. This also means paying more for this work as file formats are not the same for e-book and print. I really don’t want to have an obituary that reads “went insane and died while reading formatting manuals” so I will gladly fork over some cash for this service!

 

Making a Video Book Trailer

I have discovered that the bar is set really freakin’ high for video productions.  While humbly making a book trailer for my kickstarter campaign I went through many drafts of videos over a four month period because of comments such as these:

“I’m going to throw up!”

(ok, I was a bit too excited when I discovered I could pan/zoom)

“Why is this low resolution and not HD quality?”

($$!  Then I trolled the internet and discovered free stock video)

“Make some special effects!”

(I can increase frame rate, but I don’t have a budget here)

Books nowadays are expected to have “book trailers” similar to movie trailers.  My first two attempts garnered criticisms that the video resolution wasn’t good enough, so I started looking around for video stock footage.  Initially I found a BBC site for stock footage, but making a 1 minute video would cost about $1000!  So I settled on the price of free and started looking for stock footage close to what I want and compromised on my vision…

Step 1 – Write a draft script

The point of making this video is to tell a brief story about what is in the book.  Comments I received from previous attempts was that I should keep the video about 1 minute of so.  So I started a draft script with images and sounds of what I wanted.  At this point, I don’t know what is available for use in regards to images or sounds.

Text line: “Air…” (image of clouds) (sound of piano music)

Concept: Grandmother in hospital room and in pain…(image of IV pole or IV monitor, hospital room)  (sound of rolling hospital bed or iv machine)

Overall idea for trailer – grandmother telling story about her life to her grand daughter, end of it add book cover and credits.

Originally I wanted a sad tear jerking book trailer, but got mixed reviews so I decided to do a satire because I watched so many trailers with “drama”.  So many feature a girl and boy and guess what?  They want to have a romance but something is in the way…sigh…

Step 2 – Make sure you have video making software

I use a PC laptop and it has Windows Movie Maker on it.  If you don’t, visit the Microsoft website for a free download.  You can probably buy some software too, which may have more tools.  Movie Maker was a bit frustrating and limited, but the price was right.

Step 3 – Look for stock footage of videos and photos

If I wanted exact images of what I want, I could have bought them.

But on a low self-publishing budget, I decided to compromise my creative vision and look at what free footage was available.

Websites for free video footage:

Stock video – http://www.xstockvideo.com/

Archive.org – http://archive.org/

Stock Footage For Free – http://www.stockfootageforfree.com/

Neo’s Clip Archive (links to many sites) – http://www.thecliparchive.com/index.php

Websites for free picture footage:

Stock Exchange – http://www.sxc.hu/

Pixel Bay – http://pixabay.com/

About 80% of your time will be spent looking for the right videos/pictures for use.

Another option is to use Powerpoint to make whatever image you want and then save as jpeg.  The newer versions, 2007 have great “smart” diagrams if you need to illustrate processes or steps of something.

For jpegs you can use paint.net or photoshop to edit pics if required.

Step 4 – Look for sounds and music

Depending on your scenes you might want sound effects or mood music.  I used these two great sites:

Sound Bible (sound effects) – http://soundbible.com

Free Music Archive – http://freemusicarchive.org/

Step 5 – Start Assembling things in the video software

a. Open video in the software.  The layout looks like the screen below.  (Home > Add Video or Music)

video step 1

b. Clip video to desired length.  The video will be longer than what you need, so scroll through and note at which point of the video you want to cut.  Right click for “Start” and “End” or just use “Split”.  Highlight portion you don’t want and press the delete button.

You will notice a yellow tab at the top that says “Video Tools.”  When you press this yellow button, the controls of video editing shows up.  You can split, trim, edit volume of  audio, etc from here.

There are many video affects available, which amazed me from the start at how sophisticated this free software was.

Home – movie themes add a style to the video which involve preset movements/pictures

Animations – this applies to the beginning of each video clip. You can make it fade in/out, start with pixels which change into the vidoe afterwards, have the “camera” angle move up/down/left/right, etc.

Visual Effects – changes color of the screen to sepia, multicolor, illustration black and white, etc.

video step 2

c. Add text

You can add your lines of script here by adding a “Caption”.  (Home > Caption)  There are other things you can add too from the Home tab such as narration, music, themes, etc.  After adding Caption, there will be a pink colored bar under the video.  You can double click and drag text to point of video clip where you want it to start.

Double click on pink bar or click on “Text Tools” and you can edit text from within the video screen.  Feel free to move around text, make it bigger, etc.

For text effects, click on “Text Tools”, a pink bar at the top of the screen.

Length of text in video – the text can run through the entire video clip or just part of it.

Text effects – the text can move in via different animation styles, like fading in or flipping in, etc

Outlining text – on the far right there is a command for outlining the text in different thickness of lines and choosing a color for the outline

video step 3

d. Add music or sounds

Same as video, from the Home, tab open the music you want to add.  (Home > Add Video or Music)  The green bar is the music which can be moved around in the video clip by double clicking and dragging it.

Double click on green bar at top of the screen for “Music Tools” and you can edit start, end point.  You can also split the sound like the video too if you want a shorter/longer clip.  Just delete what you don’t need.  The effects you can do for sound includes fading in/out.

Record Narration – (Home > Record Narration) This option is for adding your voice.  My laptop can record the voice after I press this button and you can add in as a sound effect.

Note that you can only add one layer of sound.  So for my video, I made a project with just sound effects first, saved it as a video, then opened up the video again to add a second layer of music.  After you save the second time, you will get both sound and music in one video.

video step 4

e. Add more clips

Basically you will do the same thing over and over again: add video, text, sound effects/music…edit length and move things around, then do it again…

Limitations of software – text/music/sound effects will move every time you add a new video slip.  So it’s a pain, but you have to readjust everything every time.  As well, you can’t do “overlays”.  So if I want a jpeg of a book and the background to be a video, this is not possible.

video step 5

f. Save your project!

You can save it as a project file so you can edit later (.wimp file).  Or, you can go to the far right of the Home tab and pick “Save as” into a .mp4 video.

Depending on how high the resolution you want it to be, this will take time to compile.  I had problems with memory, so I saved it at a lower resolution that I would like.

g. Post on facebook/youtube/website

At the end, you will have a video to post and show off!  Over time you will become better at this, so let your mind soar on what you want to make!

End product – after many weeks of not sleeping, here is the trailer, version #10 (previous ones I used only powerpoint jpegs) posted on my first kickstarter campaign for “The Undead Sorceress”.

http://www.kickstarter.com/projects/jfgarrard/the-undead-sorceress-a-multicultural-urban-fantasy

Conversing with a Manga Artist Part 3

This is part 3 of a conversation with Eri-Chan, part 2 can be found here and part 1 here…

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How is the cosplay scene in the Philippines?  I see it growing in North America as it’s becoming more main stream in large cities with fan conventions over the years.

Cosplay here in the Philippines is also beginning to be mainstream. There are more and more people getting hooked and the demand for props makers and costume makers are starting to increase. You’ll see costumes just getting better and better every time. Events are also everywhere, to the point that there’s almost a new convention every month. Cosplayers and anime organizations here host open photoshoots for cosplayers every now and then that doesn’t just give opportunities for cosplayers to show their hobby and craftsmanship, but also for photographers to practice their passion. In our case, we use those events to meet up and bond with our online friends whom we met through cosplay. 🙂

To be honest, I haven’t really actually cosplayed any character in a convention~ I usually just dress up (my style is usually Mori-kei or forest girl), or wear yukata or maybe a maid costume. I use the term dress up, since I consider it a fashion style rather than cosplay. Real Cosplay, in my opinion, is when you actually portray a character, and I haven’t really done that (well, except for some photoshoots where I’ve done Lulu the Fae Sorceress from League of Legends, but that’s just really a short period of time for a shoot, but I’m looking forward to doing more cosplay in the future. )

Do you have a pitch for people about yourself?  I know this is a total marketing thing, but as an author I have been told to sell myself over and over again…I’ve been given the same advice for any job interviews. 

I’m not the showy type of artist, really. I’m an introvert, after all. But I do tend to optimize the use of social media and technology for the exposure of my craft and to reach out to potential clients, like posting my artworks in online galleries, especially Facebook, which is where I usually post updates and announcements. I don’t try to sell a fake perfect image of me to clients; I try to be true as much as possible, which is why I encourage them to add me up on my social media account.  

How should people contact you if they want commissions?

I encourage them to inquire by my email, elisse_mariano@yahoo.com. They can also add me up on Facebook, or any of my social media accounts.

I have never been to the Philippines.  So lastly, tell me a little bit about your country and anything interesting I should do if I can ever afford to visit you?

Beaches are what I love most about here; we have stunning beaches, especially those in Camarines Sur, Boracay, Batangas, Ilocos and Palawan. I certainly recommend nature trips if ever anyone wants to visit since there are just a LOAD of untouched paradises here. 🙂

You have been a great part in bringing my book vision to life and I wish you the best of luck! 

Thanks, Jean. Same here, I look forward to the completion of your story~! ^_^

Once again, remember to check out these links to her awesome works of art:

https://www.facebook.com/elissemariano

https://erikatsuona.deviantart.com

https://eribloodberry.blogspot.com

https://www.twitter.com/elissemariano

Conversing with a Manga Artist Part 2

This is Part 2 of a conversation with Eri-Chan, a super talented manga artist from the Philippines…Part 1 of our Q &A is here.

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If I were to commission you for a manga, what kind of information do you need?  A script of some sort, I imagine?

A script is okay, but a novel-like format works better for me. I love reading novels, and as such, I tend to get a better image of the scenes in my head compared to script-like stories. 🙂

What is your favourite manga?  Why?

I don’t have a certain top favourite (since I have lots of favourite manga and anime), but for the shoujo-type manga, I fell in love with NANA, Card Captor Sakura, Kareshi Kanoujo no Jijou, and Zettai Kareshi. For the shounen, I’ll always love Naruto and Death Note, and am currently getting hooked with Shingeki no Kyoujin. I also liked horror and suspense manga like Goth and Jisatsu Circle.

I don’t really like manga and anime for the art style or what~ usually; its impact on me while reading it is what I look into. Did this manga tickle the imagination in a way that either I relate so much to it, or that it leaves my brain thinking about it for a few days or even weeks?  I guess I love series that leaves my mind in a deep thinking state after I read it.

What is your dream job?  Well, you are already living it – or perhaps better way to put it – dream commission?

I’ve always wanted to work on published love story or horror/suspense manga. I’m also working on my own title, a comedic love story, and I may be releasing it by next year. (im currently writing the story J) Other than that, I still want to pursue my studies and go for a multimedia art school (once I get me enough funds for it) so I can learn all sorts of stuff to become a professional all-around artist and illustrator. 😀

Have you ever turned down a commission? 

Oh yes, a lot of times. And it breaks my heart to turn down offers of illustrating beautiful stories just because the client wants a rock-bottom price for the art, I mean, I would definitely love to draw for them, but of course, I have bills to pay too, right? Aside from that, there are a lot of stories that didn’t suit my style, (like shonen stories, sci-fi, action, sports), and I always try my best to be honest with my clients if I know that my art style isn’t gonna be the best one suitable for their kind of story. I don’t want to accept a request if know that I can’t do my best on it.

For people who want to become manga artists, what tools would they need?  Do you use tablets or certain software?  What tips do you give in general?  (Eek!  I know one is to backup stuff as there was a huge issue when her computer died…damn electronics!)

Yes, having backups of your files would be one of the most important ones, if you’re going for drawing manga digitally (especially after what I’ve been through with my pc when it broke down on me since I do everything on my PC~ haha..😀 I use a graphics tablet, and Paint Tool SAI + Photoshop CS3 for drawing. I can’t give that much advice for traditional mediums in manga, since I do stuff digitally, but I do believe that investing time to study the art and everything about it that you use will be very helpful in the long run. . Also, take in mind that there will always, and always be people in the industry that are better than you, but don’t let that get you down. Lastly, always be open to new ideas, like what my artist friends are always telling me.

I’m still starting up, and I’m looking forward to learning more as well.

This conversation continues onto Part 3…

Conversing with a Manga Artist Part 1

Originally I contacted Eri-chan because I wanted some manga style portraits and was collecting quotes.  I narrowed it down to a few artists and chose her because her style looked the most professional out of all the portfolios I looked at.  Her art can be seen here at https://eribloodberry.blogspot.com or http://www.erikatsuona.deviantart.com .

Eri-chan is from the Philippines and she is a young independent manga artist.  She currently has several projects on the go at once so she is a busy woman!  She is also very brave as she is involved with cosplay activities which I often want to do, but I feel too old…

Eri1

Hi Eri-Chan, thank you first of all helping me out with my project.  It’s been a blast and a lot of fun.   So can you tell me a bit about your background and how you became a manga artist?  What inspired you to become one?

Thanks, Jean~ I had fun drawing your characters as well. You have such a very nice imagination to come up with such interesting and diverse characters. 😀

About your question, I was originally in college, taking up Hotel and Restaurant Management. I felt that it wasn’t for me, and that it’s just not what I wanted to do. I’ve been living alone since I was 12 (so that makes it 8 years ago), and been paying for my studies since then, and happiness means everything to me. So I dropped school and worked as a call center agent as I tried to rebuild my first love, which is anime and manga art. When I’ve got the beginning equipment I needed to start as an artist, I left my (really toxic) job and stayed home to draw all day for people who found my art fascinating for their projects. It was something I really liked doing, although I tend to get picky with the projects’ genre, since my style most likely suit shojo and love stories. I never really imagined myself doing this when I was a little girl, I mostly thought of myself as someone who might be a businesswoman in the future, but I guess it’s just that this was what I loved doing, and I love seeing my completed works.

My dad used to be an assistant comic book artist during his teenage years. He was my first idol when it comes to art, and he taught me the basics when it comes to drawing. My dad was a kinda boastful guy, and at first I just wanted to prove him that I can do better than him… and suddenly I just got hooked with drawing. I fell in love with seeing what I created, and that wonderful feeling of “Oh god… I made this artwork?!Wow.”, because honestly, up to now, I still can’t believe that I can draw like this. 😀 So yeah, my dad was pretty much mostly the one who inspired me. 

I don’t really know how to draw, seriously, but I love anime very much. When I was in my first year in High School, there was this girl classmate of mine who draws anime really, really great and I was so amazed that I asked her to teach me how to draw. She said no in a really disrespectful way, and I got kind of pissed off and frustrated. Back then, I drew like a 5 year old! I know how to draw some forms, but it was like a kid’s drawing compared to this classmate of mine. That summer break, I locked myself in my room with a cheap book on how to draw manga that I bought, and practiced day and night while watching animes. I guess that was the time that I started to learn and improve. I was driven by frustration and the will to draw better that that girl who embarrassed me. When classes started again, she was very surprised by the improvement. I continued drawing during classes and my spare time (eventually got better than that girl, haha), until the only thing that’s driving me to draw is my love for what I’m doing itself, and my love for the characters that I draw. 🙂

Is it difficult to be a freelancer?  I mean, lots of people dream about being their own boss!  Although most of the time I saw my husband filling creating lots of paperwork (taxes, invoices, etc) when he was freelancing…

Yeah, it’s pretty difficult, especially when people don’t really acknowledge that you actually work. In my case, my relatives think that I’m just playing around. I’m still young, after all. The most difficult part for me, I guess, is when clients undervalue your art for something cheap and “just a drawing”. I put my heart to what I do, and it really hurts me when people don’t give enough credit to the work. It’s like being stabbed face-to-face.

Another thing is marketing yourself. There are LOADS of great artists in the Philippines, and most are being overshadowed by the popular mainstream ones. Finding a place where you can find clients who may be interested to have you illustrate their story is a bit of a problem, especially for a young, starting up artist like me.If we put up a blog or site, exposure is a bit slow. So we tend to go to freelancing sites like Fiverr, of which even though it kinda lowers the value of the artworks, the exposure to possible clients is good.

Do you usually draw manga for Asian countries?  Or is there demand in other countries?  Also, do the publications do well?

Most of my clients are from America, Europe and Australia. 🙂 There are just so many talented writers there, and they all want to see their works fleshed out in a Japanese-style manga. I don’t have many Asian clients at the moment, and here in the Philippines, the manga industry and publications is just starting up. Most of the few manga being published are cheesy love stories, so I guess it might take a little more time and market tests before other genres make it big here. 

Continues onto Part 2…

Where to find high quality & free stock art

During school, the best activities were art activities for me as I’m a very visual person.  Like all nerds, I loved school projects and having the excuse to design things.  Fast forward, now I find myself needing stock art to put on the blog or just designing things for fun.  Some of the sites even lets you use the art for commercial use (business cards, book covers, cds, etc) but there are limitations, so read the license carefully if you are heading down that road.

The best sites I’ve found for amazing quality clipart are listed below.  They are sponsored by companies who hope that you will eventually buy some stock art from them and I’ve done that before.  It’s astounding what is available for use, they are truly beautiful graphics which would take me hours to do myself!

How to download & use files:

1) When you click on any site, either use the categories to find what you want or do a search.

2) Usually they want you to open a free account, which is the price of admission.

3) Pick what file format you want (jpeg or eps) and save to your folder on your computer.

4) Open in your graphics program or put into any office software program for use (eg. microsoft office)

pixelbay

 Pixelbay –  high quality photos and stock art

stockex

Stock exchange – another site for high quality photos and stock art

free v

Free Vector art and graphics archive – gorgeous vector art for every project possible and divided into categories!  I didn’t realize that you can download pre-made infographics which look really slick.

v open stock

Vector Open Stock – only click in the middle area if you want free vectors.  It gets confusing when top and bottom bars appear and they link to other sites.

Commissioning Art

The whole idea of commissioning art for me began when I started spying on other people’s Kickstarter pages.  The ones that did fairly well with supporters all had incredible artwork.  The artwork was what grabbed you on the kickstarter page, and then the text.  People are very visual and if the book cover/art sucks, you start wondering about the quality of the book.

I had started speaking to a number of Canadian artists I knew over the last 2 years.  But scheduling was a problem as my contacts had a full time jobs and art was something they did on the side.  So I started to search globally – writing to people I found with portfolios on deviantart.com and researching other websites for online freelance services such as elance.com, fiverr.com, freelancer.com, odesk.com and 99designs.com.

In the end of my long search and “testing” many people on their styles/workflow, I found some fantastic artists which I hope to maintain relationships with on a long term basis as I continue to write more books.  There are links to their great portfolios at the end of this post.  Over the next few weeks I’ll be putting up the artwork I’ve commissioned for The International House of Vampires series on this website along with a Q & A with each artist so you can learn more about them as they are all fabulous people!

Mommy and Daddy!
I commissioned a pic of Mommy and Daddy! ($10 USD) Off Fiverr.com where things start at $5. You can even get a fake girl/boy friend to post on your social media pages for a week there!

The Steps to Commissioning Artwork:

1)       Think about what you want to commission – it could be for a gift, book, game, etc.  It’s important that you spend time developing a vision as this is something you are hiring to bring to life.  If you are not clear what you want, believe me, the artist will have a hard time delivering the goods.

2)      Write down specs – you know what you want, but now you have to communicate it to someone.  I try to provide as many details as possible.  If the artist doesn’t read this – they aren’t very good with clients then!

*  Intro sentence about what the art is about, what it’s for
*  Do you want to own the copyright for future reproduction or is this a one-off that will never be reproduced?  Usually the artist retains all copyrights unless you ask for it to be transferred, usually for a price ($ depends on artist).
*  The style you want.  Western realistic?  Manga?  Cartoon?
*  Find some references of stuff you like.  The idea is to let the artist know what kind of style, color palette and “feeling” you want to invoke in the art.
*  Describe each person if any.  How old are they?  Height?  Facial features, clothing, etc as if they are real people to the artist.
*  Find specific references for things such as poses, fashion style, faces, etc.
*  What’s in the background?  Do you want nothing or a specific environment?
* Hope that they understand and don’t freak out if the first piece isn’t what you imagined – sometimes it take a few tries before the artist can draw what you had in mind!

3)      Search for an artist – Like I mentioned earlier, there are many websites for you to do your search.  Look through their portfolios and see if they have done similar work to what you want for another client.

It is not fun looking for artists as you will be overwhelmed by the different styles and prices available for people.  A person may be super cheap at $5/piece, but can they deliver your vision?  Another person’s art looks fantastic, but they want $1200/piece.  Can you afford this?

For your book you may have a picture or style in mind already, but you have to search hard for the right people to make your dreams come true.  Don’t settle for something your gut tells you is not right…this is not very scientific advice, I’m afraid, but gut feel is super important!

4)      Make contact – Depending on which site, you will either have to fill in a form for a third party or you can email the artist directly with specs.  The artist will send you a quote based on that.  If you go through a third party (website service) usually there is some sort of guarantee so you can get your money back if something goes wrong.  Sometimes to get better prices you may be asked to pay direct.  There is always a bit of risk with dealing with a new person, but usually if the artist has a decent website and looks legit, I would take this risk to save some money.

Keep in mind of a budget of what you can afford.  Commissioned art can range from $0 (bartering for future favors) to $2000 USD in my experience, for one piece of art.  Sometimes the price varies depending on how many people in each piece or if you want a nice background.  Read the fine print of what the artist is willing to do!

5)      Evaluate options – Each artist will quote you different prices.  To help with making the decision, I go through their portfolios once again to determine if it’s worth both of our time to go through with making a deal.  Sometimes you can barter, but it depends on the artist.  I’ve learned that you do get what you pay for; don’t cheap out so much that you can’t hire a decent artist!  Otherwise, what’s the point?!

6)      Make a deal with one, send payment and send out sorries to the rest – It’s only decent to let other people know that you hired someone.

7)      Finalizing the Artwork – Usually the artist will send you some drafts to look at to ask for your opinion.  There should be some back and forth but this depends on the price as well.  For artists that don’t earn much or if you drive them crazy, they will sometimes ask for more money per change.  But usually you can ask for at least one to two changes before finalizing.

8)      Copyright transfer – From the beginning I ask for this, so at the end I write up a contract for them to sign to transfer copyright to me.  For personal artwork, it’s usually not done.  I only started doing this based on an editor friend’s advice as she was worried about long term consequences for me.  Most artists will charge you a fee for this (sometimes close to the price of the commissioned piece), it’s usually not free.  However, I do think it’s fair for them to have the piece in their portfolio even if I have the copyright as they should keep a copy of the hard work they have done!

9)      Show off the art!  It took a lot of time and effort to bring a vision to life, so brighten someone else’s day with something fantastic!

Virtual Artist Team for The International House of Vampires series

1) Eumir Carlo P. Fernandez, illustrator (Q & A with him here)

www.theartofeumircarlofernandez.daportfolio.com

www.theartofeumircarlofernandez.blogspot.com

www.twitter.com/elumier

2) Eri-chan (Elisse Mariano), manga artist

https://www.facebook.com/elissemariano

http://www.erikatsuona.deviantart.com

http://www.twitter.com/elissemariano

3) Robert Altbauer, cartographer (Q & A with him here)

www.fantasy-map.net

www.sapiento.deviantart.com

4) foosoo (An Trinh), Illustrator

http://www.antrinh.com/