Can Con Planning

The next event I’m attending is Can Con in Ottawa. I’ve never been to this literary conference, but have been told it’s a great event. Since Dark Helix Press never got a chance to launch our Trump book at a Toronto convention, we’ll be launching in Ottawa instead. I’ll be speaking at two panels as well, so it’s a good chance to network with authors/publishers/readers.

For the launch it’s a group event with two other authors for a total of 3 books. We’ll be providing food and drinks since it’s a party! In addition, we’re all doing raffle draws for our books and Dark Helix will be making a “Basket of Ridiculousness” to raffle off specifically to people who will be purchasing the Trump book at the event. We figure it’s only fair to give our supporters extra presents when we can!

indie group lauch FB

Since we don’t take ourselves too seriously, we also mined the inter web for funny images to make a collage for a table display. We had wanted to illustrate that our book was fiction and satire, so we chose images of Trudeau on a unicorn, Hilary saint candles and Trump resembling a Dragonball character.

We’ll have fun anyways regardless of book sales or not as book launches don’t always guarantee sales!

DHP small cancon

collage image credits:

Hilary candle https://www.illuminidol.com/products/hillary-clinton

CANADA IS MAGICAL https://www.lookhuman.com/design/338801-canada-is-magical/tshirt

Donald Trump – And now we will ascending beyond GREAT https://knowyourmeme.com/photos/1191009-donald-trump

 

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Trump book published on Christmas!

Merry Christmas and Happy New Year!

The Trump: Utopia or Dystopia anthology is now live and available for sale or free for Kindle Unlimited subscribers on Amazon!

I’m not sure if I ever want to publish a book on Christmas again as it is quite stressful. A lot of frantic phone calls, emails and general panic about last minute changes. Although these things are typical of the publishing process with any book, I wasn’t sure if anyone would be working at Amazon on Christmas day to make it happen. It turns out there is a lot of automation I presume and at least one poor person (hopefully making triple salary) processing kindle books out in Amazon land.

Sadly, I’ve discovered that the previewer in Amazon isn’t that great. However, once I download the book or see it in the official previewer software for publishers, the book looks fine. Apparently it’s an ongoing problem that hasn’t been fixed by Amazon yet.

Jen Frankel and I are proud of the Trump book as it is one of the most creative exercises we have ever taken part in! All the writers have been great to work with and I’ve noticed that a few are in other Trump anthologies as well.

Our family also had fun with a Duplo building contest to see which design was deserving of a copy of the Trump book! There were a lot of abstract builds!

IMG_20171225_190116_024

In the new year I need some energy to finish an anthology about Canada and will be working with Sarah Water Raven. She will be the main editor as I will be contributing a story, so I need someone else to tear me to pieces. One becomes blind to their own writing after a while and the only cure are fresh eyes!

Trump Book Almost Finished!

Apologies for not updating this blog as of late.

Trying to finished the Trump book has been a priority (oh and that toddler creature needs to be take care of too) and we just finished signing our 30th author (Timothy Carter, who sent in a fantastic story that made me laugh loudly) that will be featured in the book. The stories selected are pretty fantastic and unpredictable. As a writer I don’t like reading things in which I know how things will end. The publishing date we set is November 31, 2017 for the e-book and January 2018 for the print edition.

By the way, I am a horrible person to go to the movies with!

Jen Frankel has come on board as the second editor of the book and she has been fantastic to work with. There was another editor that came and went – lessons learned was to always keep communication open and to be organized, since things get hectic with 30 stories! Also parting amicably is a good thing because one never knows what the future may bring!

Labor day weekend (Aug 31-Sept 3) Dark Helix Press was at Fan Expo , a scifi/fantasy/horror/sports convention which brought over 100,000 people to one place. As a not very famous author, it was a loss financially, but I made some new contacts on the creative front. My husband couldn’t understand why I was exhausted every night. “You just sit at a table!” he said. Well, sitting at a table from 7am-8pm and talking all day is really tiring. Especially when you are not a natural salesperson. But if people don’t know about your book, they won’t read it, so you have to put a piece of your heart out there and let it get stomped on usually! There were a few people that heard me speak at other conventions so it was really nice to meet these people that have similar passions!

Recently I couldn’t find too much information about a device which I splurged hundreds of dollars on called Ovusense, so I will do a future post about this device and how it helps women with PCOS who are considered infertile. Time is passing for me, so I am hopeful, but trying not to be in case I get disappointed (Baby Shadows, an essay I wrote a long time ago explains more).  I wish that my husband could have the baby because I seriously hate labor and recovery.

For those bugging me about the second International House of Vampires book, I am working on it, really. I know people are waiting and I have to get it done. I hope to have a draft by December, then find an editor in Spring 2018. This one is about mankind spewing too much garbage into nature and the consequences of that. Have you watched Plastic Ocean on Netflix? Birds and whales among other animals all starve to death because  of plastic junk they swallow! The ocean has become a trashcan. Just one example of how horrible we are. Although if any other species took over the planet I’m sure they would do similarly destructive things…

On that cheerful note, have a great weekend!

 

Diversity Is For The Next Generation

Lately I’ve been asked a lot about why I do what I do by other writers and random people I deliver talks to.

Recently I participated in a panel about The Ghost In The Shell Controversy at Anime North and had originally written initial thoughts here – comparing the movie to a sub-par hamburger. Before the panel started, a fellow panelist whispered, “I’m glad that we have a token Asian on this panel!” Yup, I was the only non-white person on a panel which was about diversity.

Originally I wasn’t sure if we had enough material to fill an hour criticizing this Japanese manga based movie, but the audience filled the air with questions. The audience was very respectful and really wanted to understand why there was a controversy. A few panelists believed that nothing should change and things were fine. It was a bit disappointing, but I thought it was good that they had a forum to voice their opinions.

I was impressed that another panelist said that their issue was that the movie was about an Asian girl who grew up to become a white female robot and they found this horrifying as well as sad. That being Asian was not perfect and the worst! After they said this, black girls in the audience started snapping their fingers in the air!

We were asked again and again why there was a diversity problem in this movie. Finally I blurted out, “The issue is that the Asians in Asia don’t care about the Asians in North America!” An Asian girl approached me at the end and thanked me for that.

The Asian culture has been well established in Asia. But Asians in North America that don’t consider themselves Asians from Asia. This is a new phenomenon. Well, not that new, given the railroads were built in the 1800s and all. The new generations of Asians or “bananas/coconuts” (white on inside, yellow/brown on outside) grew up in a different culture and are outsiders in North America and in Asia. We are discriminated by our ancestors’ culture and in the culture we live in. We aren’t good enough for either sides.

The diversity issue is important to us because we know we don’t want to go back to Asia and want to contribute to the society we live in currently, outside of Asia. We want to share our insights and add to the arts. However, when you are told over and over again that you are not good enough to contribute anything; while being told that yes, you are an equal in society (since you pay taxes), you become angry at the hypocrisy.

“You’ll never be seen as a Canadian,” my father told me once. “People think you are from China.” He was telling me to stop believing that I fit into Canadian society and to accept that there was no equality here. He always thought that I was a naive optimist who dreamed too much. If there is no change, he is correct, we will never be able to fit into society we live in.

The other day I met with some famous Asian Canadian writers to invite them as guests to speak at a future Asian literature conference in Toronto. I had to bring my toddler with me because my husband couldn’t babysit last minute. Anyhow, these two men (both had no kids) were asking me why I was planning a conference when I had a child to take care of. What was my motive? 

I do what I do for the next generation, was my answer, as I held my wiggly toddler who was kicking me in the shin the whole time. He’s half Asian and half Caucasian – he’s not going to fit in anywhere as a halfie (or hybrid as some people tell me). Sometimes I feel guilty because I think life would have been easier for him if he was fully Caucasian. That somehow my Asian blood contaminated his future. I know this stems from an inferiority complex, of being told everyday that you aren’t good enough…Fighting for equality is draining and there are days when I just want to give up.

But, I can’t give up, I don’t have a choice. By bringing more Asian literature and diversity debates into the world, the next generation will not have to fight as much to have their voices heard and perhaps live in a better world we envisioned for ourselves when we were younger.

Heck, to be honest, I don’t want to waste my time debating about being Asian or what not either. Until everyone is on equal footing, these conversations will continue. As I mentioned in one of my talks at Anime North, there are more robots and aliens on book covers than Asian people! Somehow, that doesn’t sit well with me, which is why I speak up as much as I can.

The Truth About Submissions And Why Editors Reject Your Story

The following is a response to a writer who submitted to the Trump: Utopia or Dystopia Anthology and had questions about what to expect when submitting stories, what it means when they receive comments and why they need to rewrite:

Hi XX,

I am glad that you wrote in with questions, don’t be afraid to always ask – I don’t believe that anyone is a true expert, everyone is always learning.

Generally when you submit anything, you will never hear anything other than, “sorry your piece didn’t make it into the book/magazine.”

As a small publisher for the Trump Anthology we got over 100 submissions (deadline isn’t over yet). An agent typically gets 10,000 submissions/year. Big publishers even more. It is a tough, tough business to select and chose stories. Then it’s another tough road to sell it to readers. 9/10 books don’t sell to recoup costs of editing/formatting/publishing. It’s the one superstar that pays for everything for the publisher during that year.

When a story is selected, it’s because:

1) it connected with the editor (super subjective and editors read a lot, so the story has to be super special),

2) it was well polished, which means that the publisher buying doesn’t need to invest more time/money into the piece,

3) it was an ok story which the editor knows will be an easy sell to the readers.

To be honest, yours is perhaps the 95th story in which the story focuses on a violent incident. After getting so many of them, they all start to blend together unless there was something different about it.

For example, there is a lot of death and violence in one story we bought – “Trump Vs The Zombies” by E. Reyes. His story was the best one selected in which Trump built a wall to keep out zombies (there were about 5 of them) and because he is Mexican American, some of his cultural background also made it into the story. There were many creative twists in the story that made the editors want to  keep reading.

Most likely we will pass on your story, I have another editor I work with on making such decisions. We held back on rejection letters as we wanted to get everything in the pool first before we started tossing out stuff. We are going to send a note out to people to let them know that we will be sending out rejections soon. Already one writer wrote back to let us know that he sold his story to another publisher which is great. That’s why we allow simultaneous submissions; we don’t want writers to miss out on another publisher buying even if we don’t!

When you submit a story and get feedback, that is the most valuable part of submitting. If people don’t give a shit, they won’t give you any feedback.

Think about why we sent you such questions or comments and yes, it means a rewrite.

The next version could be sold to another publisher or you can self-publish yourself. On other projects, I’ve worked with editing teams in which we presented such questions to writers and they refused to rewrite. This means we could not recommend the publisher to buy because it means the writer isn’t willing to meet a higher standard.

There was another story in which we had numerous comments/questions, however, the main theme in the short story connected with us. This means another 4-6 months of editing back and forth (between editors & writer) to get the words and ideas in the story to flow properly to make the story better. If we didn’t like the story, we wouldn’t bother spending so much time cleaning up their writing. Another story was so well polished; we finalized it in 3 weeks.

No matter how good of a writer you are, you will always need an editor. I see writing as an art form and it takes time to discover your voice and to perfect a piece, like a painting (I used to be a painter). Anyhow, expect a rewrite every time you receive comments. It will get to a point in which the editor is satisfied and then it will be published. Then sometimes post publishing readers will point out stuff and then another rewrite. It really never ends sometimes…

I hope that you have a day job as many full time writers struggle to eat. It’s hard to become a writer superstar. I don’t think it was every easy – we just never hear about the struggles as much. Self-publishing does fill the gap for those who want to publish, but even for self-publishing, higher standards are being brought in or else readers will not trust this new group of publishers. The landscape continuously changes and I don’t think anyone knows what the secret is to becoming a writer superstar.

Anyhow, hope this helps and let me know if you have any more questions.

JF