I recently represented Ricepaper Magazine to interview the Cantonese and Mandarin talents of Kruger Products’ (manufacturer Cashmere toilet paper and Sponge Towels) Unapologetically Human ad campaign, featuring real people dealing with real messes – spills, tears, blood, runny noses, messy crafts, and more. The campaign featured songs in English, French, Hindi/Urdu, Mandarin and Cantonese. Really cool that a company created a diverse ad campaign! The situations captured in the videos are touching as well, it’s worth checking out the beautiful imagery.
The Cantonese soundtrack is sung by Mr. Will Wong and the Mandarin song by Moulann.
Next Thursday I’ll be hosting an Asian Speculative Fiction Reading event as part of Small Press Fair for Dark Helix Press. All of the authors are wonderful readers and I look forward to listening to them do their magic! Details about this event below!
Also putting together another digital raffle to test how successful it is as a marketing tool. Someone told me that all raffles need to be coupled with Amazon gift cards so we will try that. I do worry about coupling book giveaways with gift cards – do they want the gift card or to read the books? Sigh.
March 4, Thursday, 2021: 8pm EST – 9pm EST Asian Speculative Fiction Readings panel features Asian speculative authors who will read their stories featured in Immersion or Dark Helix Ezine. There will be a Q & A after the panel. Authors featured include Vincent Ternida, Carlo Javier, Melissa Yuan-Innes and Lily Chang. Host: JF Garrard
To celebrate Women in Horror month, I’ve partnered up with the amazing Kit Daven and Elizabeth Hirst to present a panel on how writers are surviving COVID-19 on Feb 27 (free event link here). We’ll also be reading our horror stories.
Admittedly I have a little bit of imposter syndrome because I don’t write in just one genre. I’m greedy and as a speculative fiction writer, my stories may involve horror, fantasy and science fiction all mashed together sometimes. For my horror author pic I used the PITU app which I adore to make myself look eerie. My husband says I laugh like a maniac whenever I use this app, but I can’t help it, it’s hilarious to play with!
For this panel I will be reading a pure horror story – My Girl, which I made a YouTube reading of (link here) earlier this month. It was inspired by a time when I had a miscarriage. In this story, a woman has a chance to giver her dead baby life by stealing the life of another baby’s. If this was possible, would women do this? I have no doubt that some would and some wouldn’t. It depends on a person’s values in the end even if they are in a horror story.
I’m also trying something new at this panel, the King Sumo raffle service. We’ll be giving away some Dark Helix books in a digital raffle and one audience member will walk away with a few books.
During a meeting in Jan 2021 with a few Asian authors, they lamented over the fact that they haven’t been getting much support from others since they were isolated due to COVID-19 and they lived in places with relatively few Asian people. This inspired Ricepaper Magazine to put together a Write-Rice Asian writers support group. Of course, it’s also open to anyone supportive of diversity, we want to be inclusive as well!
The list of topics we will touch upon includes the different methods of publishing to tips on how to write better. The hosts for 2021 are JF Garrard, Vincent Ternida, Derwin Mak and Cynda Yeasting. For more details and to register for these free sessions, click on this link: ricepapermagazine.ca/writerice
Feb 19 – JF Garrard (What are the different options for publishing? Traditional/Self-Publishing/Vanity/Podcasting/Youtubing, etc)
March 19 – Vincent Ternida (What is the difference between short stories, novels and poetry?)
April 16 – Derwin Mak (What do editors look for? Surviving the slush pile and looking for submission calls for fantasy and science fiction genres)
May 14 – Cynda Yeasting (What is an author platform? Discussion about networking and promotion ideas)
June 18 – JF Garrard (What is the difference between genres? Scifi/fantasy/horror/specfic/magical realism, etc)
July 16 – Vincent Ternida (Writing a good villain and interesting characters)
August 20 – Derwin Mak (What happens at genre conventions for science fiction, fantasy or romance? Are they worth the money to learn about writing?)
Sept 17 – Cynda Yeasting (Social Media 101. What is the difference between Facebook/Twitter/Instagram/Tiktok, etc)
Oct 15 – Vincent Ternida (Writing realistic fiction and plotting)
Nov 19 – JF Garrard (Nainowrimo Write in session, e-book prizes during “Word Wars” in which people compete to see who can write more words in 10 mins)
Dec – no session, survey link will be made available for feedback
This year I’m doing a few talks at Capricon 41 (Feb 4-7, 2021), a spec fic convention based in Chicago. I’ve been sent their panelist invites a few times, but this is the first time I’m attending.
To my surprise after receiving the schedule, I saw that I’ve been paired up with a few people I know from Toronto and someone I met at Detcon1 years ago! Looking forward to meeting these friends virtually again!
The con features many panels on writing, science and fandom – so if you’re looking for people to chat passionately with about geek topics, come hang out!
To get everyone into the holiday spirits for some merriment and laughter despite COVID-19 still lingering about, here is a podcast of me reading a story about mom cancelling Christmas after finding a severed Barbie doll head. I had originally written it for the Renaissance Press Holiday Blog Roll 2017. Text of the story is re-posted below, enjoy!
The Year Christmas Got Cancelled
One year, a fake auntie (not blood related) gave my sister and I a real Barbie doll to share. We never had a real Barbie before because they cost too much. We only got the Bargain Harold’s or Woolco generic dolls. I remember not wanting to play with Barbie anyways because I would rather play with Transformers, which was more interesting.
A few days before Christmas, a blood curdling scream went through the house. My seven year old sister and I were doing extra Kumon math exercises without any joy. We shrugged and continued our grueling work. Mom screamed a lot; she could be either yelling on the phone at someone or mad about something on tv. Our tiny bodies tensed when she appeared in the doorway of the living room, holding a severed Barbie head by its long blonde hair.
“Who did this?” Mom demanded in her loud voice in Cantonese. Her giant afro perm bobbed up and down, as she stormed into the room and flickered a severed Barbie head by it’s long blonde hair in our faces. She was a tiny woman, but had enough power to topple over any mountain or rip apart any savage animal in our eyes.
Being the wiser ten year old, I shook my head and spoke calmly. “I don’t know mommy.”
My sister was frozen with fear, but after a few seconds of silence, parroted me in a squeaky voice, “I don’t know!”
Both of us looked around for our younger brother who was five. He was nowhere to be seen, but it didn’t matter, he was the golden child and could do no wrong.
“Christmas is cancelled! No more presents! You are naughty children and presents should go to good children!” My mother was livid that no one was owning up to destroying an expensive doll. We rarely got any toys from our parents because there was no extra money in an immigrant family home in which chocolate milk was considered a luxury.
I sighed and tried not to roll my eyes. A few years ago my mother had suddenly told me that Santa didn’t exist, but my cynical seven year old self was already aware of this. I was more upset then that my shrine to Jesus had been ignored by everyone and became an atheist soon after. As the first child, I was continuously being experimented on by my parents.about:blankREPORT THIS AD
“But we don’t get presents from you anyways,” my sister smirked.
“I’m talking about all presents! Even from other people! You are all bad children!”
“No, mommy! I want presents from the uncles and aunties and Santa!” My sister started wailing and crying.
Mother looked happy that one child had reacted to her stern lecturing. “There is no Santa! Hahaha! Now who took apart this Barbie?”
“I don’t know,” I said in an exasperated tone.
My mother shot daggers in my direction as she glared at me.
“It wasn’t me!” My sister sobbed, her chubby cheeks becoming red and streaked with tears.
“No one is confessing? No more Christmas!” My mother stormed off to dispose of the doll head.
“What do we do now? What did she mean that there’s no Santa?” My sister asked me.
I shrugged. “It’s ok, she’ll calm down and change her mind. I’m sorry, the whole Santa thing was really mom and dad all along.”
“Oh,” my sister said as she wiped her tears. “No wonder Santa always gave us such crappy presents.”
As with many things, I was wrong about mom changing her mind about un-cancelling Christmas. I also never found out who tore off the doll head. In the following years, any presents given to us were never seen by us. It’s presumed that they were re-gifted to another child who deserved presents.
Although we didn’t get presents at Christmas, we still got red pockets (cash) at Chinese New Year, birthdays and whenever we passed any big tests. Admittedly all the red pockets went into our bank account which we later learned was paying for household expenses.
There is a Chinese idiom about daughters: “Daughters are water poured out of the family after they get married.”
After I started dating a Caucasian Canadian guy in university, my Christmases were spent with his family. We eventually married as well and he was relieved that there were no fights about splitting up the Christmas holidays since my family didn’t celebrate it.
My sister and I have children now and they have great Christmases compared to our childhoods. Maybe we are trying too hard to compensate for the fact that we didn’t celebrate it or have any toys and want our kids to have everything. I hope that the kids don’t end up being spoiled brats! They will sigh as I tell them this story about Christmas being cancelled and probably won’t believe me since grandma always brings them presents!
Lately I’ve been querying more and have been getting lots of rejections. As usual I wonder why the heck I am a writer. We are the most depressing people we know! I won one short story contest which was fantastic and I’ve been promoting that by making a cover for it (The Blue Son), but the glory is over in ten seconds!
With this COVID stuff going around, everyone is scared and rethinking about what’s important to them. I’ve been writing a more since I’m leading a writing group for the Canadian Authors Association’s Toronto Branch and have an obligation to keep writing. I horrified a few writers by confessing that I tossed out the draft manuscript for my second vampire book (sequel to The Undead Sorceress) and am starting again from scratch. Between publishing my first book and now, I have learned a lot from my creative writing teachers, my style has changed and my ideas of plot lines for the book has been thought out more. I’m also selling/publishing more short fiction as they are easier to pitch than novels. For the Asian Canadian Writers Workshop, we are working on another anthology and that will probably come out next year.
Today a friend sent me an article about author logos. It’s a pretty good read and talks about advantages of having one. Similar to any corporate logo, it will only take you so far because at the end of the day, you still need a good product (your writing). I made one as an exercise for fun and am not sure if it works or not. The logo has robots because I write a lot of sci-fi/people and the flower is for fantasy/Asianess. I write horror too, maybe I should have added some bloody drops? Or a ghost rising out of the flower? Should I add I’m a publisher too? Will have to think about this some more!
Please enjoy your time while this COVID nonsense is going on and stay safe!
Immersion, an Asian speculative fiction anthology of fifteen stories which I edited with Allan Cho and William Tham is out! Two years in the making, we’ve used a lot of blood, sweat and tears on this project. The stories range from glimpses into loving relationships (with mermaids, grandparents, etc) to science fiction (using fish slime for fashion) to horror (supernatural beasts and an artist painting in blood). When we started the project we didn’t know what would come in the door. All we knew was we wanted to offer a chance to authors to send in the fantastic and surprise us! Towards the end we also did a cover re-haul and it looks completely different from before!
My latest published short story, The Curse, made it into Brave New Girls: Adventures of Gales and Gizmos. This anthology is the latest release from editors Mary Fan and Paige Daniels, featuring young adult science fiction tales about teen girls with a knack for science, tech, engineering and math… hackers, mechanics, inventors, and more! Proceeds from sales will be donated quarterly to the Society of Women Engineers scholarship fund.
Futuristic Canada is finally out! I’ve been working on this book for the past two years with Sarah WaterRaven. The project went through a lot of changes, with authors coming and going, lots of hospital visits (family members and ourselves), changes in directions for things…anyhow, the project is over and our book baby is finally here!
Admittedly creating a book about the future of Canada is not the best business decision given our small population and seemingly boring country. However, the stories in here will surprise people with their twists and unforeseeable endings! A superhero librarian, woo hoo! Puritans taking over the future, oh boy! Government sending old people dates for their executions, oh dear.
Sometimes a writer makes a terrible editor too because we spend so much time thinking about how the story will flow and we tend to get bored easily if a story is too predictable. I have to say that the writers in this book managed to make me jealous of their storytelling abilities and lyrical words.
We’ll be giving away Futuristic Canada as an e-book during Canada Day week of July 1-5, 2019. Grab a free copy from Amazon and please leave a review on Goodreads/Amazon if you can. Many thanks and enjoy!
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