Ricepaper Magazine Patreon Setup

It’s not a secret that many not-for-profits often struggle with coming up with funds to keep alive. Ricepaper Magazine is not an exception as an example of a publication that is trying out different things to gain access to public grants and private funding.

As a Senior Editor for Ricepaper, my title is quite loose since it’s a small organization. I do a lot of writing, interviewing, partnership building, event planning (LiterASIAN Toronto) and now something new I’m trying out is Patreon.

I’ve tried setting up on Patreon before and some of my friends on it have collected $0/month to a few hundred dollars total. I only know of one person who is surviving as a full time writer on Patreon and they are not rich.

Similar to Kickstarter, Patreon people pledge to give funds on a monthly or project basis in exchange for something. Since mainly artists and writers are on Patreon, the “creator” can give away music, artwork, writing, videos, magazines, etc in exchange for funding to create.

I’m working on the “about” Patreon page and looking back at the amazing magazine covers that Ricepaper has had in the past. There are days when my family and friends suggest I should quit Ricepaper to concentrate on just being a writer, but I tell them that there are few platforms for Asians in English and I believe I’m doing good by helping this ship stay afloat.

Sharing a few covers and when the Patreon page is up I’ll post news about it and hopefully garner some support!

 

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What’s In a “Basket of Ridiculousness”?

Since we are doing a Trump: Utopia or Dystopia book launch at Can-Con in Ottawa this coming weekend, we put together a gift called a “Basket of Ridiculousness” as a free draw prize to attract unsuspecting and sort of innocent future readers!

To get free draw tickets, please find me or Jen Frankel and ask us nicely for a ticket at the Can-Con event:

FRI 20:00-20:50 Panel – Braaaains. Please. Sorry  Salon D (Jen Frankel)

SAT 10:00 – 13:30 Dealers Room Table –The Alternate Reality News Service

SAT 11:00-11:50 Panel – Economics of Traditional Publishing Salon E (JF Garrard)

SAT 14:00-14:50 Indie Group Launch Event with food (basket will be given away at this event)

You may think, wait, what’s in this bloody basket worth hunting down strangers for?
The basket is valued at $50 and we put everything we thought we would want into it. So if no one wins or shows up for the book launch we will divide up the goodies among ourselves! Contents include:
1) A copy of Trump: Utopia or Dystopia to laugh, cry and get angry with.
2) A set of politician masks – Donald Trump, Hilary Clinton and Justin Trudeau. In time for Halloween and to re-enact scenes from the Trump book!
3) Lay’s Grilled Cheese chips – it just sounded yummy…and strange…
4) A $10 Starbucks gift card – caffeine just makes the day brighter!
5) Batman Story Cubes – making stories with yourself as Batman, just because.
6) Naughty mug – heck, we’re promoting a Trump satire book!
7) Snickers bars – to eat while watching CNN.
8) Fuzzy Peaches – it’s orange, enough said.
9) Crunch ‘n Munch popcorn – more to eat while watching CNN and Fox News.
10) SPAM – goes hand in hand with fake news.
11) Glow in the dark tie – to transport you to the Oval office.
12) Rubber Ducky Socks – we live in Canada, a tribute to our Prime Minister.
13) Dark Helix Bookmark – to keep your page in the book while you watch the destruction of the free world!
Looking forward to meeting random people in Ottawa and sharing the joy of this Trump book which has fantasy, horror and science fiction stories from writers around the world!

Feeding The Kraken Children cookbook out!

Feeding the Kraken! is a toddler/children cookbook I made in 2016. It was a successful Kickstarter project and it features over 50 recipes as well as parenting advice. I had hoped that my father (a chef) would be around to test recipes with me, but well, he died.

This book is a big lesson about me being too creative without thinking ahead. I used up a lot of time to make it look pretty and had lots of beautiful nautical graphics in it…which doesn’t translate well in e-book format. In fact it looks really crappy because the coding is very difficult and to make the book commercially viable I have to strip out most of the graphics.

I procrastinated about this for over a year.  Good thing I’m not depending on books/writing to pay bills because I would be starving and dead by now!

In the end I decided to put up the original book as a pdf with all artwork intact on the Dark Helix Press website as a download. Since the reader has to do extra work, instead of the usual $4.99 price point, I have dropped it to $3.99. I also didn’t realize that paypal took a cut per transaction, so I learned about being dinged for fees too.

In the future I will make an e-book but it won’t be as nice. As for print book, I have InDesign, but haven’t taken the time to learn it yet. There is a high learning curve, but it is the gold standard for printing software. The print book can have most of the artwork intact but will be expensive to print due to color ink.

Anyhow, if you have any krakens (children) to feed, I think this is a great cookbook to look at. My child actually asks for the healthy red lentil muffins listed in the book! A cookbook is only successful if you use recipes more than once!

Here is the link, bon appétit!

http://www.darkhelixpress.com/yachildren/feeding-the-kraken/

 

Cover Reveal for Trump Utopia or Dystopia!

Whoopee! The great Jen Frankel and I are almost done editing this Trump book! Instead of 20 stories as planned, we have 30 stories. Too much of a good thing won’t kill you…I think…depends on what…

Anyhow, we revamped the cover too to make it a bit stronger. There were debates over changing the title too, but in the end, we stuck with the same title as Trumptopia, Trumpocalypse, etc were all taken.

It was great to work with all the writers and although sometimes we agreed to disagree, everyone worked hard on polishing their stories. We hope that reader will enjoy the book as we had a fantastic time editing!

This week I’m off to read a new piece about Toronto convention no-nos at the Tartan Turban Secret Readings #5. I honestly don’t know what to expect. There could be 5 people in the room or 50! Looking forward to connecting with local authors and seeing if they know more secrets about success than I do.

I had a talk with the organizer who asked me about where I published other than self-publishing. I said only Ricepaper Magazine and their anthology. Then after hanging up, I realized that I had either written or contributed a bunch of stuff to rather large outlets such as Entrepreneur Magazine, Women’s Health, Book Baby (blog), Authors Helping Authors, etc. I’m just not used to taking credit for stuff. The lesson from my MBA marketing prof: ‘ if you don’t toot your own horn, no one will do it for you!’ obviously didn’t stick to my brain that much.

Over the weekend one of my American friends told me about some course on selling millions of books. I told her that at the end of the day, I believe it’s about creating a good quality story. Marketing/selling is a different skill set than writing, but first you have to write something worth selling!

The Truth About Submissions And Why Editors Reject Your Story

The following is a response to a writer who submitted to the Trump: Utopia or Dystopia Anthology and had questions about what to expect when submitting stories, what it means when they receive comments and why they need to rewrite:

Hi XX,

I am glad that you wrote in with questions, don’t be afraid to always ask – I don’t believe that anyone is a true expert, everyone is always learning.

Generally when you submit anything, you will never hear anything other than, “sorry your piece didn’t make it into the book/magazine.”

As a small publisher for the Trump Anthology we got over 100 submissions (deadline isn’t over yet). An agent typically gets 10,000 submissions/year. Big publishers even more. It is a tough, tough business to select and chose stories. Then it’s another tough road to sell it to readers. 9/10 books don’t sell to recoup costs of editing/formatting/publishing. It’s the one superstar that pays for everything for the publisher during that year.

When a story is selected, it’s because:

1) it connected with the editor (super subjective and editors read a lot, so the story has to be super special),

2) it was well polished, which means that the publisher buying doesn’t need to invest more time/money into the piece,

3) it was an ok story which the editor knows will be an easy sell to the readers.

To be honest, yours is perhaps the 95th story in which the story focuses on a violent incident. After getting so many of them, they all start to blend together unless there was something different about it.

For example, there is a lot of death and violence in one story we bought – “Trump Vs The Zombies” by E. Reyes. His story was the best one selected in which Trump built a wall to keep out zombies (there were about 5 of them) and because he is Mexican American, some of his cultural background also made it into the story. There were many creative twists in the story that made the editors want to  keep reading.

Most likely we will pass on your story, I have another editor I work with on making such decisions. We held back on rejection letters as we wanted to get everything in the pool first before we started tossing out stuff. We are going to send a note out to people to let them know that we will be sending out rejections soon. Already one writer wrote back to let us know that he sold his story to another publisher which is great. That’s why we allow simultaneous submissions; we don’t want writers to miss out on another publisher buying even if we don’t!

When you submit a story and get feedback, that is the most valuable part of submitting. If people don’t give a shit, they won’t give you any feedback.

Think about why we sent you such questions or comments and yes, it means a rewrite.

The next version could be sold to another publisher or you can self-publish yourself. On other projects, I’ve worked with editing teams in which we presented such questions to writers and they refused to rewrite. This means we could not recommend the publisher to buy because it means the writer isn’t willing to meet a higher standard.

There was another story in which we had numerous comments/questions, however, the main theme in the short story connected with us. This means another 4-6 months of editing back and forth (between editors & writer) to get the words and ideas in the story to flow properly to make the story better. If we didn’t like the story, we wouldn’t bother spending so much time cleaning up their writing. Another story was so well polished; we finalized it in 3 weeks.

No matter how good of a writer you are, you will always need an editor. I see writing as an art form and it takes time to discover your voice and to perfect a piece, like a painting (I used to be a painter). Anyhow, expect a rewrite every time you receive comments. It will get to a point in which the editor is satisfied and then it will be published. Then sometimes post publishing readers will point out stuff and then another rewrite. It really never ends sometimes…

I hope that you have a day job as many full time writers struggle to eat. It’s hard to become a writer superstar. I don’t think it was every easy – we just never hear about the struggles as much. Self-publishing does fill the gap for those who want to publish, but even for self-publishing, higher standards are being brought in or else readers will not trust this new group of publishers. The landscape continuously changes and I don’t think anyone knows what the secret is to becoming a writer superstar.

Anyhow, hope this helps and let me know if you have any more questions.

JF

If You Care, Delete The Email!

The other day I didn’t sleep and managed to finish the first Dark Helix Press newsletter which contained pictures of the Anime North 2017 conference and some news about book projects.

During the conference I had collected about 100 emails and wanted to start an email list because I will lose momentum (perhaps even misplace the signup sheets) and my book promo dates were running out. Along with con goers, I also looked through my personal email and built a second list of friends and family who I thought would be interested in receiving news about my projects.

Whenever a small business person you know (such as real estate or financial adviser, etc) adds you to their list of newsletters or mass emails, you probably think it’s spam. Why are they sending me stuff? My name isn’t on it!

Well, they are sending you information about their services because they think that you are a kind, wonderful person who will support them in their goals. Running a business is hard work and back breaking. If they thought about you enough to add you to their email list, it means you are important to them. They think that you are a person who will ask them about their business next time you meet them and that you will pass on the information to anyone who is interested.

This is why I was so hurt when I received an email from someone who told me to piss off because I was wasting their time. This person was the most quiet, gentlest, nicest being. I thought for a while about why I was feeling this way. Obviously CBT is working here, normally I would just spiral into depression!

It’s a small thing for someone to ask you to remove them from a mailing list. I thought about it for a long time and concluded that they: 1) do not support what I’m doing and 2) they are very busy and I shouldn’t bother them because I am not worth any of their time.

They could be struggling with something and lashing out, I don’t know. I emailed them a confirmation that they were off the list. I still felt really bad, so I tried calling them to apologize and to see what was going on, but they hung up on my “hello, how are you?” Maybe I’ll try again tomorrow, but perhaps I should focus on my more positive friends with my limited time on Earth. As all business people know, we don’t like burning bridges.

Friends and family knew I had been really hurting last year from my dad’s death and had fallen into a deep, deep depression. The fact that I pulled up the straps of my boots, managed to even attend a conference (it was such a struggle to “turn on” my game face) and make a newsletter meant I was feeling better.

Usually newsletters and mass emails are not personal to makes it easier to pass onto the next person. Also, the small business person does not have time to write messages on thousands of emails. They barely have time to eat dinner…

Newsletters and mass emails are not sent out forever and ever. One day the business or the author will die and no more will be created. Receiving some news is better than silence if you care about the person.  Delete if you don’t want to read but know they are well and alive. You are a good person if you receive any!

I hope I put newsletters and other emails you get from your small business owner friends in a new light!