Diversity Is For The Next Generation

Lately I’ve been asked a lot about why I do what I do by other writers and random people I deliver talks to.

Recently I participated in a panel about The Ghost In The Shell Controversy at Anime North and had originally written initial thoughts here – comparing the movie to a sub-par hamburger. Before the panel started, a fellow panelist whispered, “I’m glad that we have a token Asian on this panel!” Yup, I was the only non-white person on a panel which was about diversity.

Originally I wasn’t sure if we had enough material to fill an hour criticizing this Japanese manga based movie, but the audience filled the air with questions. The audience was very respectful and really wanted to understand why there was a controversy. A few panelists believed that nothing should change and things were fine. It was a bit disappointing, but I thought it was good that they had a forum to voice their opinions.

I was impressed that another panelist said that their issue was that the movie was about an Asian girl who grew up to become a white female robot and they found this horrifying as well as sad. That being Asian was not perfect and the worst! After they said this, black girls in the audience started snapping their fingers in the air!

We were asked again and again why there was a diversity problem in this movie. Finally I blurted out, “The issue is that the Asians in Asia don’t care about the Asians in North America!” An Asian girl approached me at the end and thanked me for that.

The Asian culture has been well established in Asia. But Asians in North America that don’t consider themselves Asians from Asia. This is a new phenomenon. Well, not that new, given the railroads were built in the 1800s and all. The new generations of Asians or “bananas/coconuts” (white on inside, yellow/brown on outside) grew up in a different culture and are outsiders in North America and in Asia. We are discriminated by our ancestors’ culture and in the culture we live in. We aren’t good enough for either sides.

The diversity issue is important to us because we know we don’t want to go back to Asia and want to contribute to the society we live in currently, outside of Asia. We want to share our insights and add to the arts. However, when you are told over and over again that you are not good enough to contribute anything; while being told that yes, you are an equal in society (since you pay taxes), you become angry at the hypocrisy.

“You’ll never be seen as a Canadian,” my father told me once. “People think you are from China.” He was telling me to stop believing that I fit into Canadian society and to accept that there was no equality here. He always thought that I was a naive optimist who dreamed too much. If there is no change, he is correct, we will never be able to fit into society we live in.

The other day I met with some famous Asian Canadian writers to invite them as guests to speak at a future Asian literature conference in Toronto. I had to bring my toddler with me because my husband couldn’t babysit last minute. Anyhow, these two men (both had no kids) were asking me why I was planning a conference when I had a child to take care of. What was my motive? 

I do what I do for the next generation, was my answer, as I held my wiggly toddler who was kicking me in the shin the whole time. He’s half Asian and half Caucasian – he’s not going to fit in anywhere as a halfie (or hybrid as some people tell me). Sometimes I feel guilty because I think life would have been easier for him if he was fully Caucasian. That somehow my Asian blood contaminated his future. I know this stems from an inferiority complex, of being told everyday that you aren’t good enough…Fighting for equality is draining and there are days when I just want to give up.

But, I can’t give up, I don’t have a choice. By bringing more Asian literature and diversity debates into the world, the next generation will not have to fight as much to have their voices heard and perhaps live in a better world we envisioned for ourselves when we were younger.

Heck, to be honest, I don’t want to waste my time debating about being Asian or what not either. Until everyone is on equal footing, these conversations will continue. As I mentioned in one of my talks at Anime North, there are more robots and aliens on book covers than Asian people! Somehow, that doesn’t sit well with me, which is why I speak up as much as I can.

The Truth About Submissions And Why Editors Reject Your Story

The following is a response to a writer who submitted to the Trump: Utopia or Dystopia Anthology and had questions about what to expect when submitting stories, what it means when they receive comments and why they need to rewrite:

Hi XX,

I am glad that you wrote in with questions, don’t be afraid to always ask – I don’t believe that anyone is a true expert, everyone is always learning.

Generally when you submit anything, you will never hear anything other than, “sorry your piece didn’t make it into the book/magazine.”

As a small publisher for the Trump Anthology we got over 100 submissions (deadline isn’t over yet). An agent typically gets 10,000 submissions/year. Big publishers even more. It is a tough, tough business to select and chose stories. Then it’s another tough road to sell it to readers. 9/10 books don’t sell to recoup costs of editing/formatting/publishing. It’s the one superstar that pays for everything for the publisher during that year.

When a story is selected, it’s because:

1) it connected with the editor (super subjective and editors read a lot, so the story has to be super special),

2) it was well polished, which means that the publisher buying doesn’t need to invest more time/money into the piece,

3) it was an ok story which the editor knows will be an easy sell to the readers.

To be honest, yours is perhaps the 95th story in which the story focuses on a violent incident. After getting so many of them, they all start to blend together unless there was something different about it.

For example, there is a lot of death and violence in one story we bought – “Trump Vs The Zombies” by E. Reyes. His story was the best one selected in which Trump built a wall to keep out zombies (there were about 5 of them) and because he is Mexican American, some of his cultural background also made it into the story. There were many creative twists in the story that made the editors want to  keep reading.

Most likely we will pass on your story, I have another editor I work with on making such decisions. We held back on rejection letters as we wanted to get everything in the pool first before we started tossing out stuff. We are going to send a note out to people to let them know that we will be sending out rejections soon. Already one writer wrote back to let us know that he sold his story to another publisher which is great. That’s why we allow simultaneous submissions; we don’t want writers to miss out on another publisher buying even if we don’t!

When you submit a story and get feedback, that is the most valuable part of submitting. If people don’t care, they won’t give you any feedback.

Think about why we sent you such questions or comments and yes, it means a rewrite.

The next version could be sold to another publisher or you can self-publish yourself. On other projects, I’ve worked with editing teams in which we presented such questions to writers and they refused to rewrite. This means we could not recommend the publisher to buy because it means the writer isn’t willing to meet a higher standard.

There was another story in which we had numerous comments/questions, however, the main theme in the short story connected with us. This means another 4-6 months of editing back and forth (between editors & writer) to get the words and ideas in the story to flow properly to make the story better. If we didn’t like the story, we wouldn’t bother spending so much time cleaning up their writing. Another story was so well polished; we finalized it in 3 weeks.

No matter how good of a writer you are, you will always need an editor. I see writing as an art form and it takes time to discover your voice and to perfect a piece, like a painting (I used to be a painter). Anyhow, expect a rewrite every time you receive comments. It will get to a point in which the editor is satisfied and then it will be published. Then sometimes post publishing readers will point out stuff and then another rewrite. It really never ends sometimes…

I hope that you have a day job as many full time writers struggle to eat. It’s hard to become a writer superstar. I don’t think it was every easy – we just never hear about the struggles as much. Self-publishing does fill the gap for those who want to publish, but even for self-publishing, higher standards are being brought in or else readers will not trust this new group of publishers. The landscape continuously changes and I don’t think anyone knows what the secret is to becoming a writer superstar.

Anyhow, hope this helps and let me know if you have any more questions.

JF

Live Radio Interview, Friday, June 13, 9-11pm

This coming Friday I’ve been invited onto the “Beyond the Mundane” radio show to talk about my Undead Sorceress book and other stuff. We’ll be giving out copies of my book to some lucky callers as well!

I’ll be on from 9-11pm and here is the link.

A  bit nervous as I’m not sure what will happen since it’s live and I know there will be a few callers phoning in. I’m not very good at improve, so random questions do scare me! But I guess I have to practice or I’ll never get over my fear over answering things on the fly!

 

June 7, 2014 Sat Book Signing at Artscape Wychwood Barns

If you are free this upcoming Sat morning in Toronto, I’m doing a book signing/selling thing at a farmer’s market at Artscape Wychwood Barns. A bookstore called Accents located there will stock my book on a consignment basis. 

This time coincides with a Farmer’s market and live music, so come by for the festivities!

My Viking husband will around of course!  Stop by and say hi if you have time!

 SATURDAY, June 7/2014 from 10:00am to 12:30pm

VENUE: The Stop Farmers’ Market, 601 Christie Street, Artscape Wychwood Barns, Toronto.

Book Signing, Reading and Sale “Undead Sorceress, Book 1 of The International House of Vampires Series” by JF Garrard (Author of Multicultural Fantasy Fiction & Non Fiction)

“Ever since Tamara became a vampire, things have gone downhill. Her grandma runs off with her daughter’s soul and then her husband thinks she’s gone crazy. The only thing certain right now is that she has to save her daughter, no matter what the cost. Caught in the middle of a war between vampires, sorceresses and warlocks, she discovers an alternative history to the world she thought she knew”

Cover reveal for The Literary Elephant!

Another book I have on the go is The Literary Elephant: The Beginner’s Guide to Indie Publishing. This book was started way back in November as part of National Novel Writing Month. People have been asking me where to buy this and alas, I have to tell them that it’s not done yet!

theliteraryelephant

This cover was completed by a fabulous graphics company based in Bosnia I found on Fiverr.com. They also helped me with the “How To Make a Munchkin” cover. I have to kick myself in the butt to keep going on finishing the manuscript for both the Munchkin and Elephant book as I have been so distracted by marketing activities for The Undead Sorceress.

However, I’ve learned a lot since launching one book and I predict things will be easier for me to release my other books.

One of my friends said I was getting too ambitious in wanting to release two more books by the end of the year, but what the heck, the manuscripts are 70% complete at this point! As an author, I don’t think you can survive on one book, so I need to keep going! Another thing I’ve been busy with is trying to write short stories as those are easier to sell than novels…yes, there aren’t enough hours in the day for me!

Paperback of The Undead Sorceress Released!

The paperback version of The Undead Sorceress was just released yesterday on April 24, 2014 ahead of the May 8 schedule. I don’t think this will ever happen again! I am maximizing the number 4 it seems with an April 24, 2014 release date. The number 4 sounds the same as “death” in the Chinese language and is typically avoided. Well, this book is about vampires who are undead so perhaps they are a lucky bunch and having so many 4s around this book is ok!

Retail list price is $15.99 USD and it is available on Amazon for now. In the near future it will be uploaded to other distributors to make it available at Barnes & Noble, etc.

Meanwhile, I’ve been prepping for book launches and Anime North, so I’ve ordered a stack of 300 books to carry with me everywhere. The book is damn heavy at 500 pages! The matte cover is beautiful though and the colors translate well from digital to print. And I’m a picky person when it comes to books! After going through 12 proofs, I’m finally happy, so I hope you will like how the book turned out too!

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Ebook and Print Book Publishing on Amazon

Over the last month I have been uploading my Kindle and Print version of the book onto Amazon for sale. The Kindle version was uploaded onto the KDP site and the Print version onto the Createspace site. Although both sites belong to Amazon, the structure of each site is different as they are considered separate entities.

Generally, the KDP site was much easier to work with, as you can upload your tax information digitally, obtain real time sales data and chose to be paid via direct deposit. Sadly, the Createspace site had only the option of mailing in your tax information, monthly sales data and only cheque payment options for Canadians. No cheques are mailed until you hit $100USD in royalties, so that might be a few years from now!

The 3D cover software on Createspace also impressed me as you can spin your cover around to make sure you “covered” the template you built your cover on. Alas, I still need to see the book in my hands to make sure the cover and pages printed properly.

3d cover 3 ides

For both sites after you upload, there is a 12-24 hour wait period as an Amazon staff needs to make sure that the file is properly formatted. For my Createspace cover I kept getting messages about the file not being big enough although I used their template. Of course, I have the option of not selling the book until I make sure the cover is perfect, which is great.

Amazon does tend to listen to their customers, which in this case, are the self-publishing authors. There was a demand for matte covers for print books versus glossy, so now there is an option for matte covers. People wanted real time sales data for kindle ebooks, so that is now available. When I had issues with uploading my cover to Createspace, I had the option of having someone contact me “now” or in 5 minutes. I chose “now” and my phone rang right away, connecting me to a service representative immediately.

Over the next few months I’ll be uploading onto other platforms, but Amazon is a good place to start. The software for uploading may not be as user friendly on other sites and there are extra fees if you need to re-upload again due to any mistakes in the file (free on Amazon to take down and upload again). Amazon has set a very high bar for self-publishing services and they can’t be beat at the moment. They are just so good! It’s only a matter of time before they take over the world with their other plans!

 

The Undead Sorceress is available on Amazon Kindle!

Finally, one book is available online after lots of difficulties with IRS forms, last minute formatting changes/deletions and waiting for what seemed like an eternity for Amazon to approve of it for sale. Yes, there is a process in which Amazon looks at your book to make sure it’s not offensive stuff you are putting onto their site.

Although I’ve learned to read legal documents for work, reading IRS forms and documents are totally different. I am convinced they are written by aliens to destroy our little minds as they are so difficult to comprehend.

Things turned out ok in the end, but there was lots of sweating and panicking. Uploading onto Amazon was a breeze though, but what took me so long was that I would “test” the book on different kindle programs and find glitches in the file. So I went back and forth with my very patient Australian formatter to perfect the book. Then I set up an Amazon Author page, changed the book status on Goodreads, updated all websites, then announced its availability via Facebook and Twitter as well. Is giving birth easier? Not sure…

The print book manuscript takes a bit longer to format and after that’s done, I can finish the spine/back for the print cover. I have been going to bookstores in my spare time and studying other people’s books to see what they put on their books. Perhaps I am vain, but I like well designed books and I hope to make a good looking book as well. For a panel on self-publishing on the weekend, I’ll try to remember to make this point: once the writing is over, you have to shut off your writing brain. The book becomes a product next and it has to be able to compete with other books. This means that the inside must be polished with professional editing and the outside has to be well designed. Book covers do matter and sometimes people will pick up your book because the cover is pretty if nothing else.

Due to my enrolment in Amazon’s KDP Select, I had to take down my preview of the book as it is available on Amazon now. KDP Select puts the book into a Kindle Owner’s Lending Library, so people enrolled in the library can read the book for free. Amazon does compensate the author regardless and it’s a new business model for people to subscribe to Amazon’s library service.

Click the cover below to visit The Undead Sorceress’ Kindle book page. Happy reading!

kindle cover jpeg